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The most Complete Guide for visiting Ramesseum

Ramesseum

Ramses II, the third pharaoh of the XIX dynasty, was crowned in 1279 B.C.E. “as king of Egypt on the throne of Horus of those who are alive, without there ever being a repetition of him”, according to the sources of the time. During his reign, he undertook an unprecedented building program. The country was filled with new religious buildings, in which the various names of the sovereign appeared, as well as the image of the king dispensing justice, honoring the gods, or on the battlefield, as the architect of real or supposed victories.

Among all the constructions of Ramses II, there was one that was especially dear to him. It was erected precisely in Thebes, on the western bank of the Nile, near the pharaoh’s tomb in the Valley of the Kings. Today we know it as Ramesseum

The Ramesseum is the name given to the funerary temple erected by Ramses II, and located in the necropolis of Thebes, on the west bank of the Nile River, opposite the city of Luxor, next to the small temple dedicated to his mother Tuya.

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The Valley of the Kings

The Valley of the Kings

A royal burial ground for pharaohs such as Tutankhamun, Seti I, and Ramses II.
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Karnak

Karnak

A vast group of ruined temples, chapels, pylons, and other buildings.
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Medinet Habu

Medinet Habu

The memorial temple of Ramesses III.
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More about Ramesseum

As in other temples, Ramses had recorded in the Ramesseum episodes of the battle of Qadesh and other clashes against foreign peoples. Likewise, he reproduced the parade of some of his numerous sons and daughters.
Some scenes in the Ramesseum show the pharaoh together with various gods of the Egyptian pantheon, and even he himself is represented as a god.

Indeed, the royal buildings of the New Kingdom not only showed the military or political power of the pharaohs but also their divine status, something that is evident in the Ramesseum.

Ramses’ constructive fever might seem like a form of megalomania or self-centeredness, but in reality, it responded to deeper motivations. On the one hand, the king wanted his subjects to know that he was the strong and dominating arm, the one he could not defeat. 
This is reflected in the decoration engraved in the Ramesseum, both on the exterior and interior walls: battle scenes abound, with the king leading his army victoriously and defeating the forces of evil. 

Its almost six hectares of surface include the main temple, a temple dedicated to his wife Nefertari and her mother Tuya, a palace, and the adjoining rooms dedicated to the administration of the sanctuary.

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